The article explores the unique and chaotic world of hand-painted movie posters from Ghana, which emerged in the 1980s and 90s as a creative solution for promoting imported films. These vibrant and often absurd artworks, painted on flour sacks, have since gained recognition as collectible art, showcasing the ingenuity and cultural adaptation of Ghanaian artists. With their exaggerated depictions and punk aesthetic, these posters reflect a fascinating intersection of global pop culture and local artistry.